愿景与创立基础
自1984年以来,L-Acoustics团队通过创新和情感重塑了声音之美。
通过我们对创新和卓越产品设计的执着追求,我们用技术塑造了声音的未来,使音频专业人士和艺术家能够提升听众的体验。
自1984年以来,我们一直在塑造声音的未来

我们是塑造声音之美的工匠,揭示声音的意义和情感。
与董事长Christian Heil对话,聆听他对声音未来的愿景
您如何定义L-Acoustics未来的目标,其中的利害关系是什么?
当我们谈论声音时,主要谈及的是工艺和技术词汇。例如,我们谈论声压级、指向性、失真和投射。这些术语对于描述L-Acoustics团队在过去30年中所做的工作是不可忽视的,但对于描述声音感官听觉却远远不够。
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今天,L-Acoustics集团面临的挑战之一是发展和重塑我们与声音的关系。通过改变我们对声音的思考方式,我们塑造了声音的未来——我们为设计和想象声音的未来开辟了新的道路。这种未来意味着以一种新的方式来描述和表达声音,分享声音的故事,为它注入生命力。如果声音的概念只是强化了其无形的层面,那这仅仅是一种技术商品。然而,我们的使命不是提供技术服务。我们是声音的工匠,彰显着意义和情感。
对于未来的目标,我们希望是提供空间维度、视觉维度和情感维度。用声音作画,操控声音,让声音像活的有机体一样,从而更好地与声音建立联系。这种全新的、更具艺术性的方向将定义一个三维的声音宇宙。它将加深我们与视听艺术家和作曲家的联系,为创造性合作开辟新天地。
您如何看待该行业所面临的挑战?
如果我们对音乐会有特别留意,似乎重要的是强调为图像预留巨大的空间。视觉效果和屏幕占据了大部分空间。至于声音,它要么适应环境,要么靠边站,要么尽量低调。这种趋势已经影响到艺术家本身。虽然艺术家的关注点往往很大程度上依赖视觉,而对音响系统发出的声音通常关注较少,因为他们可能听不到。另一方面,他们直接面对图像,因为它就在他们身后。
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从人类学和历史的角度来看,我们是视网膜生物,因此对视觉刺激非常敏感。视觉占主导地位。声音就是噪音。通常情况下,声音只是一种商品。在最糟糕的情况下,它可以是一种滋扰或一种污染。这种看法对于表演或演出所固有的艺术来说是令人担忧的。虽然声音被视为危险的警告信号,但我们的目标是将其转化为情感的载体。对我来说,我们行业面临的最大挑战之一在于这种模式的转变。
对于L-Acoustics的每位成员来说,这是我们每天都在追求的目标。我们重视体验的构想,并以情感为滋养。我们为客户提供的体验是基于重新发现这种情感、智慧和与声音之美的有机联系的构想。这是我创立这家公司时的梦想。围绕这一愿景,我聚集了最优秀的专家和爱好者,通过创新,帮助我们将这种非常真实和感官的联系与声音之美编织在一起。
Our history dedicated to innovation
- 1984
- 1992
- 1994
- 1995
- 2004
- 2007
- 2009
- 2011
- 2011
- 2011
- 2012
- 2014
- 2016
- 2017
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- 2020
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1984 – After completing his Ph.D. in particle physics and wishing to pursue his passion for sound further, Christian Heil started L-Acoustics with the desire to apply pragmatic solutions from physics to the audio industry.
1992 – Christian Heil publishes his seminal paper on Wavefront sculpture Technology (WST) theory.
With the introduction of V-DOSC, the first full-band coherent line array,
L-Acoustics ignites a revolution that will become the gold standard in live sound reinforcement.
1994 – A revolution has begun!
V-DOSC transformed the live event industry with smaller, lighter, and more powerful sound solutions.
For the first time, the audience from the front to the back hears the same experience.
1995 – L-Acoustics expands on the WST concept by introducing the first constant curvature line source array (ARCS).
2004 – L-Acoustics introduces the first 3D sound system modeling software, Soundvision, allowing sound designers and system engineers to accurately predict a sound system’s performance in a venue or outdoor event.
2007 – L-Acoustics introduces its line of Amplified Controllers LA4/LA8 and creates the first system standard for deploying sound reinforcement systems.
2009 – The first global rental network, established on high-quality criteria and deployment standards, is introduced.
2011 – L-Acoustics redeveloped its LA Network Manager, completing the sound system deployment workflow with real-time control and monitoring.
2011 – L-Acoustics introduces formal training for system engineers and sound designers, expanding traditional practical knowledge of loudspeakers with physics principles and deployment methodology.
2011 – Making its debut at Coachella Valley Arts & Music Festival, K1 becomes the new industry benchmark for large events.
2012 – L-Acoustics introduces the install-specific series, expanding its performance-leading product line to the fixed installation market.
2014 – Panflex™ technology is introduced, adding an adjustable horizontal coverage pattern to modern line source arrays.
2016 – L-Acoustics introduces L-ISA Immersive Hyperreal Sound, a revolutionary object-based technology that effectively connects the audience with the performers.2014 – Panflex™ technology is introduced, adding an adjustable horizontal coverage pattern to modern line source arrays.
2017 – L-Acoustics invents the first personal auditorium with an 18.1 self-contained sound space for resolute audiophiles with the introduction of Island.
2018 – L-Acoustics embraces AVB and becomes one of the industry leaders to develop and implement the backbone networked audio protocol for the electronics ecosystem.
2020 – Recreating live sound experiences in an in-ear monitor, L-Acoustics introduces its first professional in-ear monitor in collaboration with JH Audio, Contour XO.
2021 – Since the Education Program’s launch in 2007, L-Acoustics has completed 3,000 training days and delivered 35,000 certificates.
2022 – L-Acoustics Ambiance introduced a new era in acoustic control. Using a network of loudspeakers, microphones, and the L-ISA Processor II, Ambiance enables precise acoustic manipulation for immersive, natural sound.
2023 – 在 L系列 debuted as a full-range system designed for medium- to large-scale events. Featuring the patented Progressive Ultra-Dense Line Source (PULS) technology, it delivers exceptional sonic performance, an impressive power-to-size ratio, and streamlined deployment for various applications.
2023 – LC16D, our first network converter, was introduced to the industry to enhance connectivity and expand spatial audio capabilities. This new network converter simplifies the integration and scalability of audio systems to elevate the best-shared sound experiences.
2024 – Our cutting-edge HYRISS technology (Hyperreal Immersive Sound Space) revolutionizes audio in homes, retail, hospitality, and corporate settings. Using a high-resolution 3D loudspeaker network with advanced processing, HYRISS delivers unparalleled sound quality and acoustic comfort, surpassing traditional systems with dynamic, spatial audio tailored for any environment.
创立基础
L-Acoustics的创立基础建立在创新和性能的原则之上,以人为本,注重环保,教育和提升我们的团队和其他音频行业的专业人士,这些都是不断激励我们提高艺术和技术的支持力量。
创新与性能
L-Acoustics以创新为基础,为专业音响行业带来了革命性的变化。“精于设计简于形”是我们在技术开发中采用的务实而前卫的方法。通过培养我们团队大胆和独立思考能力,我们成功地打造了卓越的产品和服务,同时提高了流程的效率。


以人为本
自L-Acoustics成立以来,我们公司始终坚持以人为本。我们特别关注团队成员的构成和发展,这是我们成功的关键原因。L-Acoustics集团的创始人都是杰出的人才,他们充满激情和热情,与公司合作并共同成长。L-Acoustics尊重和重视员工,鼓励个人的主动性和贡献。我们还鼓励多元性,拒绝一切形式的歧视。
可持续发展
我们提倡可持续采购和节能做法,将扩声系统标准的尺寸和重量降低了三倍,从而减少了巡演和音乐节的运输和能源消耗影响。我们的产品在性能和可靠性方面处于行业领先地位,通过定期使用和维护,使用寿命可达十年以上,减少了提前更换的需要。我们在80个国家/地区拥有庞大的全球认证合作伙伴网络,为全球巡演的音频需求提供标准化的本地解决方案,减少音响系统海外运输而造成的二氧化碳排放。2 emissions caused by overseas transport of sound systems.


教育与提升
除了内部团队培训计划外,我们还为音乐技术爱好者提供教育培训。通过我们的教育计划和倡议,我们努力向人们展示,声音能够如此打动人心,并且对我们的文化至关重要。我们重视并促进对员工和行业专业人士的深造。我们还培养创造力、创新解决方案和跨学科思维,以推进音频技术的最新发展。
文化至关重要
我们的技术通过提高各种现场表演的声音再现的品质,为文化活动的发展做出了贡献。我们为艺术服务的创新使我们能够成为灵感和创造力的源泉。通过音乐和艺术进行文化自我表达是一项基本人权,在世界范围内应被视为必不可少的权利。我们支持我们的合作伙伴、艺术家、音乐家、表演艺术专业人士和我们员工所有在创造性方面的努力
