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L-ISA Immersive<\/h1>\n\n\n\n

\u4f53\u9a8c\u65e0\u754c\u58f0\u5883<\/p>\n<\/div><\/div>\n\n\n\n

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“[Al Wasl Dome]\u7684\u6280\u672f\u5fc5\u987b\u5f15\u9886\u65f6\u4ee3\u30022020\u5e74\u4e16\u535a\u4f1a\u8981\u6c42\u8fd9\u4e2a\u7cfb\u7edf\u5177\u5907\u5b8c\u5168\u7684\u7075\u6d3b\u6027\u548c\u529f\u80fd\u6027\u3002\u6700\u521d\u8bbe\u8ba1\u4e3a\u80cc\u666f\u4e0e\u524d\u666f\u97f3\u54cd\u7cfb\u7edf\u65f6\uff0c\u4ed6\u4eec\u5c31\u610f\u8bc6\u5230\u8981\u5b9e\u73b0\u6781\u81f4\u6c89\u6d78\u5f0f\u5185\u5bb9\u7684\u68a6\u60f3\uff0c\u5fc5\u987b\u5c06\u97f3\u9891\u63d0\u5347\u81f3\u4e0e\u89c6\u9891\u76f8\u5339\u914d\u7684\u9ad8\u5ea6\u3002” <\/p>\n\n\n\n

\u2013 Andrew Nu<\/strong>| CT ME\u7cfb\u7edf\u96c6\u6210\u4e1a\u52a1\u53d1\u5c55\u603b\u76d1<\/p>\n<\/blockquote>\n<\/div><\/div>\n\n\n\n

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From system design consultation and modeling to calibration and continuing education, our L-ISA experts guide you through every step.<\/p>", "slide_link": "https:\/\/www.l-acoustics.com\/our-service\/system-calibration\/", "slide_image": { "ID": 761351, "id": 761351, "title": "From-Concept-to-Experience-Immersive-Services", "filename": "From-Concept-to-Experience-Immersive-Services.jpg", "filesize": 51729, "url": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services.jpg", "link": "https:\/\/l-acoustics.cn\/en\/products\/l-isa-immersive\/from-concept-to-experience-immersive-services\/", "alt": "", "author": "56", "description": "", "caption": "", "name": "from-concept-to-experience-immersive-services", "status": "inherit", "uploaded_to": 761335, "date": "2025-08-04 11:04:06", "modified": "2025-08-04 11:04:06", "menu_order": 0, "mime_type": "image\/jpeg", "type": "image", "subtype": "jpeg", "icon": "https:\/\/l-acoustics.cn\/wp-includes\/images\/media\/default.png", "width": 880, "height": 553, "sizes": { "thumbnail": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services-150x150.jpg", "thumbnail-width": 150, "thumbnail-height": 150, "medium": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services-300x189.jpg", "medium-width": 300, "medium-height": 189, "medium_large": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services-768x483.jpg", "medium_large-width": 768, "medium_large-height": 483, "large": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services.jpg", "large-width": 880, "large-height": 553, "1536x1536": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services.jpg", "1536x1536-width": 880, "1536x1536-height": 553, "2048x2048": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services.jpg", "2048x2048-width": 880, "2048x2048-height": 553, "trp-custom-language-flag": "\/wp-content\/uploads\/2025\/08\/From-Concept-to-Experience-Immersive-Services-18x12.jpg", "trp-custom-language-flag-width": 18, "trp-custom-language-flag-height": 12 } } } ] }, { "acf_fc_layout": "stories_selection", "section_title": "L-ISA Immersive Stories", "stories_selection": [ { "ID": 583348, "post_author": "56", "post_date": "2018-08-21 08:31:14", "post_date_gmt": "2018-08-21 06:31:14", "post_content": "<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:paragraph {\"fontSize\":\"medium\"} -->\n<p class=\"has-medium-font-size\"><strong>Evolutionary Arts Hackney (EartH) announces first European live music venue installation of L-ISA Immersive Hyperreal Sound technology<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>This September sees the launch of <a href=\"https:\/\/earthackney.co.uk\/\">Evolutionary Arts Hackney (EartH)<\/a>, an exciting new cultural venue in Dalston in the heart of East London. This multifaceted project, which has initiatives to serve the local community at its heart, will feature the first permanent installation of L-ISA Hyperreal Sound technology in a European live music venue.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385601,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/l-isa-at-earth-1-1024x470.jpg\" alt=\"\" class=\"wp-image-385601\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>The restoration and redesign of the art deco cinema, laid derelict for 40 years, is a project that has been brought to life by the team behind Village Underground, the Shoreditch venue founded by Auro Foxcroft and known for its commitment to experimental and innovative performance and art. Built on the belief that art brings change, progress and transformation, EartH will be curated to span art forms and a multitude of genres and voices encompassing an international live music programme, performance art, special talks and debates, comedy, and film. EartH is partly funded through the social investment community in support of the project\u2019s ambitious arts and social impact work to serve the local community, giving space, resources and new opportunities, particularly to young people in Hackney. EartH is a multi-functional venue made up of three main areas; The Theatre that gives a huge sense of scale, a separate Concert Hall and a vibrant new restaurant and social space.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>It is in the theatre that the fittingly evolutionary L-ISA system has been installed to offer audiences enhanced clarity, more natural sound, and a wider sound panorama.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The L-ISA set up comprises a frontal system of five hangs of seven <a href=\"https:\/\/www.l-acoustics.com\/products-kara-85.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kara<\/strong><\/a> flown equidistantly across the front of the stage, with a central sub system of four <a href=\"https:\/\/www.l-acoustics.com\/products-ks28-148.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>KS28<\/strong> <\/a>flown in end fire configuration in front and above the central Kara hang. Positioned along the stage lip, ten <a href=\"https:\/\/www.l-acoustics.com\/produits-x8-141.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>X8<\/strong><\/a>provide front fill. The surround system is provided by 12 <a href=\"https:\/\/www.l-acoustics.com\/products-syva-15153.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Syva<\/strong><\/a>, four per side, evenly spaced and mounted along the left, right, and rear walls of the theatre. Completing the setup is an overhead system of eight X8 hung from the auditorium ceiling.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385603,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/l-isa-at-earth-2-1024x488.jpg\" alt=\"\" class=\"wp-image-385603\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>EartH\u2019s concert hall also benefits from traditional left\/right flown arrays of four Kara topped with an <a href=\"https:\/\/www.l-acoustics.com\/products-sb18-subwoofer-86.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>SB18<\/strong><\/a> on each side and four central ground stacked KS28 subwoofers, with four <a href=\"https:\/\/www.l-acoustics.com\/products-arcs-wide-117.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ARCS Wide<\/strong><\/a>as delays.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>\u201cAuro clearly demonstrated a passion for quality production from our first encounter. Pair that with the diverse programming he has planned, and L-ISA seems a perfect match to raise the experiential value at EartH,\u201d<\/em> expresses Paul McMullan, Regional Sales Manager at L-Acoustics. <em>\u201cThe EartH sound installation, unique in the UK, will also serve as a showcase for L-Acoustics to demonstrate the innovative new L-ISA technology to the industry.\u201d<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>\u201cWe're very excited to be working with L-Acoustics on this installation of their ground-breaking L-ISA technology,\u201d<\/em> adds Foxcraft. <em>\u201cThe philosophy behind EartH has a focus on presenting some of the best artistic talent and experiences that can make us think twice and leave us inspired. L-ISA brings an incredible audio dimension to support these performances with its signature Hyperreal Sound. It opens a whole new side to live performance and we can\u2019t wait to work with artists to develop their L-ISA shows. It really is evolutionary.\u201d <\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385605,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/l-isa-at-earth-3.jpg\" alt=\"\" class=\"wp-image-385605\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->", "post_title": "L-ISA to EartH", "post_excerpt": "", "post_status": "draft", "comment_status": "closed", "ping_status": "closed", "post_password": "", "post_name": "l-isa-to-earth", "to_ping": "", "pinged": "", "post_modified": "2025-01-21 11:35:11", "post_modified_gmt": "2025-01-21 10:35:11", "post_content_filtered": "", "post_parent": 0, "guid": "https:\/\/lacoustics.cn\/en\/stories\/l-isa-to-earth\/", "menu_order": 0, "post_type": "story", "post_mime_type": "", "comment_count": "0", "filter": "raw" }, { "ID": 583349, "post_author": "56", "post_date": "2019-01-22 09:11:06", "post_date_gmt": "2019-01-22 08:11:06", "post_content": "<!-- wp:paragraph -->\n<p><em>The Johnny Marr Call the Comet tour visits EartH, creating space in the mix with L-ISA Immersive Hyperreal Sound<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https:\/\/johnnymarr.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Johnny Marr<\/strong><\/a>, one of the UK's most prolific songwriters, producers, and collaborators has been on the road again, this time with his fourth solo studio album, <em>Call the Comet<\/em>. The former founding lead guitarist of The Smiths has forged a shining solo career since his debut album in 2013, bringing his latest UK journey to a stellar conclusion with a sold-out date at <a href=\"https:\/\/earthackney.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>EartH<\/strong><\/a> (Evolutionary Arts Hackney), London, which boasts the first permanent installation of L-Acoustics' <a href=\"https:\/\/l-isa.l-acoustics.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>L-ISA Immersive Hyperreal Sound<\/strong><\/a> technology in a European live music venue.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Marr's Front of House Engineer, Russ Miller, this was his first date with L-ISA, and his post-show report was glowing: <em>\"I was blown away by it,\"<\/em>he says. <em>\"The separation is unbelievable, without it feeling like it\u2019s separate sources. At sound check our backline techs were amazed: we had people just walking around the venue listening; it sounded the same from front to back and from side to side.\u201d<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miller was contacted prior to the gig by EartH's Alessandro Melchior, Sound Engineer, and was pleased to have a day in the venue before the show to work with some virtual sound-check material. <em>\"You can't be afraid of new technology,\u201d<\/em> says Miller. <em>\u201cI say just get involved and see what it can do.\"<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385611,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/jonny-marr-1-1024x768.jpg\" alt=\"\" class=\"wp-image-385611\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>L-ISA Immersive Hyperreal Sound technology uses spatial audio processing to position up to 96 sound objects in three dimensions inside a performance space. The EartH L-ISA Frontal system comprises five hangs of seven <a href=\"https:\/\/www.l-acoustics.com\/en\/product\/kara\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kara<\/strong><\/a> and a central sub system of four <a href=\"https:\/\/www.l-acoustics.com\/en\/product\/ks28\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>KS28<\/strong><\/a> flown in end-fire configuration in front and above the central Kara hang. Ten <a href=\"https:\/\/www.l-acoustics.com\/en\/product\/x8\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>X8<\/strong><\/a> enclosures are positioned along the stage lip for front fill. 12 <a href=\"https:\/\/www.l-acoustics.com\/en\/product\/syva\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Syva<\/strong><\/a> make up the surround system\u2014four per side\u2014mounted along the left, right, and rear walls. An overhead system of eight ceiling-mounted X8 completes the installation.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miller decided to make the most of L-ISA and move to a more object-based mix for the show: <em>\"We\u2019ve got the two-channel show to a point where, input-wise and processing-wise, I have the kick, snare, bass, and lead vocals in the centre of the mix with effects specifically to give the lead vocal more width. I then push the guitars and \u2018keyboard\u2019 elements out to the side and use delay cabinets where the precedence effect happens [the Haas region] to clear space for the central elements. This creates a stereo illusion and gives mono compatibility even when the speaker stacks are a long way apart, so you get pseudo stereo without the old \u2018disappearing guitar\u2019 problem when a listener is right in front of the cabinets one side. But switching to L-ISA and not having to jump through hoops to get the separation was amazing. With L-ISA, if you put the vocal in the centre, it\u2019s in the centre and not a phantom centre.\u201d<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The <em>Call the Comet <\/em>tour uses DiGiCo SD11 consoles, sharing SD Rack I\/O. In this instance, Miller\u2019s FOH SD11 was connected to EartH\u2019s in-house DiGiCo SD12, giving him more real estate to play with and allowing him to get creative with L-ISA. DiGiCo consoles now have natively integrated L-ISA Source Control functionality, so Miller was able to pan from the console, while Melchior provided support on the L-ISA Controller software.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385613,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/jonny-marr-2-1024x768.jpg\" alt=\"\" class=\"wp-image-385613\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>In addition of taking advantage of L-ISA spatialization to place sound objects to reflect their actual physical location on stage, Miller decided to make full use of L-ISA's three-dimensional processing for a psychedelic moment in the Marr set. <em>\"Johnny has a song on the new album called 'New Dominions'. It has a break-down section in the middle that comes down to just bass and drums, and then Johnny comes in and there are delay throws where I change the delay time so that it creates a pitch change. It's an old trick, but it works for this.\"<\/em> At EartH, Miller took the stereo delay output and sent it to the house console where they could 'play' the <a href=\"https:\/\/l-isa.l-acoustics.com\/live-sound\/multidimensional-mixing\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>L-ISA Pan, Width, Depth, and Elevation<\/strong><\/a> parameters.<em> \"I said let's go crazy and throw it around - send it over people, to the back, all around,\" says Miller. \"Johnny always said it should be trippy and psychedelic. It worked incredibly well.\"<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>At EartH, Miller felt that a significant benefit of L-ISA was the exceptional inherent sound quality achieved with minimal effort: <em>\"I often have to work with the bottom end to reduce a problem, so you get used to going into venues and wondering what you will have to deal with for that show,\"<\/em> he explains.<em> \"Then, when you're faced with a really well set-up system, you have to take a moment and think 'Am I hearing things? I don't have to do anything.<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>\"EartH was a step on from that. It was balanced, yes, but felt full range. It didn't feel like the subs were tacked on; it felt deeper. There\u2019s articulation down there, so it\u2019s easier to separate bass and kick; you can pinpoint things that you just couldn\u2019t hear before.\"<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385615,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/jonny-marr-3-1024x768.jpg\" alt=\"\" class=\"wp-image-385615\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>In what might have otherwise been a challenging space, multiple discrete physical full range sources create a wide sweet spot, bring clarity to the soundscape, and lift a burden from the drivers.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>\"After only about four minutes of putting stuff through the PA I realised that this system is a solution to a very old problem,\u201d<\/em> Miller concludes. <em>\u201cIt's a big move into bringing down sound levels so you're not smashing people in the face, but you're still producing something that excites and intoxicates the audience. This technology is amazing, it\u2019s not going away, and it can only become more popular.\"<\/em><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":385617,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/jonny-marr-4-1024x768.jpg\" alt=\"\" class=\"wp-image-385617\"\/><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->", "post_title": "Marr's Journey to EartH", "post_excerpt": "", "post_status": "draft", "comment_status": "closed", "ping_status": "closed", "post_password": "", "post_name": "marrs-journey-to-earth", "to_ping": "", "pinged": "", "post_modified": "2025-01-21 11:35:11", "post_modified_gmt": "2025-01-21 10:35:11", "post_content_filtered": "", "post_parent": 0, "guid": "https:\/\/lacoustics.cn\/en\/stories\/marrs-journey-to-earth\/", "menu_order": 0, "post_type": "story", "post_mime_type": "", "comment_count": "0", "filter": "raw" }, { "ID": 583356, "post_author": "56", "post_date": "2023-06-14 08:40:27", "post_date_gmt": "2023-06-14 06:40:27", "post_content": "<!-- wp:separator -->\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n<!-- \/wp:separator -->\n\n<!-- wp:paragraph {\"align\":\"center\",\"fontSize\":\"medium\"} -->\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Building a Spatial Sound Show<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":387100,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"\/wp-content\/uploads\/2024\/08\/Max-Cooper_Recommandation-scaled-1-1024x683.jpeg\" alt=\"\" class=\"wp-image-387100\"\/><figcaption class=\"wp-element-caption\">Conversations With Friends<\/figcaption><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Audio-visual artist Max Cooper discusses his experience creating in L-ISA Studio for live shows and how the intuitive, immersive audio software gave him the ability to layer spatial sound to impact the overall musical and visual experience.  <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For Max Cooper, using L-ISA was essential to creating a multi-dimensional audio experience for his Brixton Academy show. \"I love escapism in music. I'm always trying to find ways of making the music wrap around you and extract you from the boredom of everyday life to somewhere more exciting, trying to have a really intense experience of some sort. Immersion is a really important part of that. Spatial audio gives an extra dimension of human expression, and that allows us to share our feelings and our experiences more directly.\"  <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Watch Max Cooper work with the new FX Engine, a part of L-ISA 3.0.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https:\/\/youtu.be\/rlgNwjbGGjE\",\"type\":\"video\",\"providerNameSlug\":\"youtube\",\"responsive\":true,\"className\":\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"} -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/rlgNwjbGGjE\n<\/div><\/figure>\n<!-- \/wp:embed -->", "post_title": "Max Cooper", "post_excerpt": "", "post_status": "draft", "comment_status": "closed", "ping_status": "closed", "post_password": "", "post_name": "max-cooper", "to_ping": "", "pinged": "", "post_modified": "2025-01-21 11:35:04", "post_modified_gmt": "2025-01-21 10:35:04", "post_content_filtered": "", "post_parent": 0, "guid": "https:\/\/lacoustics.cn\/en\/stories\/max-cooper\/", "menu_order": 0, "post_type": "story", "post_mime_type": "", "comment_count": "0", "filter": "raw" } ] }, { "acf_fc_layout": "page_links", "section_subtitle": "Experience L-ISA Near You", "page_links": [ { "featured_image": "\/wp-content\/uploads\/2025\/08\/378x293-Experience-L-ISA-Create-1.jpg", "text_content": "<p><strong>Create with L-ISA<\/strong><\/p>\n<p>Visit an L-ISA Auditorium<\/p>", "page_link": "https:\/\/l-acoustics.cn\/en\/partner\/find-an-l-isa-auditorium\/" }, { "featured_image": "\/wp-content\/uploads\/2025\/08\/378x293-Experience-L-ISA-Experience.jpg", "text_content": "<p><strong>Experience L-ISA<\/strong><\/p>\n<p>Visit a venue<\/p>", "page_link": "https:\/\/l-acoustics.cn\/en\/partner\/find-an-l-isa-venue\/" } ] }, { "acf_fc_layout": "frequently_asked_questions", "faqs": [ { "question": "Does L-ISA Immersive require overheard speakers?\u00a0", "answer": "No, L-ISA immersive solutions can consist of a lateral speaker configuration only.\u00a0" }, { "question": "Can L-ISA Immersive have speakers above and below?\u00a0", "answer": "Yes, L-ISA Immersive solution can have elevation loudspeakers above the audience plane, as well it's possible to have loudspeakers below the audience plane to increase immersion and realism." }, { "question": "Can an L-ISA Immersive system playback Atmos?\u00a0\u00a0", "answer": "Yes, Dolby Atmos can integrate with L-ISA by using dedicated hardware that can decode Atmos content which can be played back in an L-ISA System.\u202f\u00a0" }, { "question": "Does L-ISA require special loudspeakers?\u202f\u00a0", "answer": "Any L-Acoustics loudspeaker may be used within an L-ISA system, with the selection depending on the needs and performance requirements of the project, which can be defined and validated within Soundvision. For optimal results.\u00a0" }, { "question": "Can I use other manufacturer\u2019s loudspeakers in L-ISA?\u202f\u00a0", "answer": "No. Due to the ecosystem of L-ISA, utilizing Soundvision as a key tool in the design and validation process, we cannot guarantee the behavior and response of other manufacturer\u2019s loudspeakers, which may compromise the stability and immersive potential of the system as a whole.\u202f\u00a0" }, { "question": "Can L-ISA immersive be combined with L-ISA Hyperreal?\u00a0", "answer": "Yes L-ISA Immersive and L-ISA Hyperreal can be combined. With the benefits of Hyperreal and Immersive it creates the ideal listening experience." }, { "question": "Can an L-ISA immersive experience utilize pre-recorded content?", "answer": "Yes, many L-ISA immersive experiences use pre-recorded and rendered content, if the immersive experience has a spatial resolution of less than 16 it is even possible to use L-ISA STUDIO to generate the content.\u00a0" }, { "question": "Can audio content in L-ISA Immersive be modified in real-time from video or tracking sources?\u00a0\u00a0", "answer": "Yes, L-ISA Solutions can interact with many third-party devices, including trackers, media servers, DAW\u2019s, and custom applications.\u00a0" }, { "question": "Does L-ISA work with Dolby Atmos? ", "answer": "Yes, by using L-ISA Studio and the Desktop Processor, the L-ISA mix and its outputs can be rendered into a Dolby Atmos ADM File targeted for distribution and playback" }, { "question": "Does Dolby Atmos work with L-ISA? ", "answer": "Yes, Dolby Atmos can integrate with L-ISA by using dedicated hardware that can decode Atmos content which can be played back in an L-ISA System." } ] }, { "acf_fc_layout": "contact_section", "section_title": "Connect with the L-Acoustics Team", "button_label": "Get in Touch", "form_select": 1436, "form_subtitle": "Get in Touch" } ], "documents": false, "custom_schema_markup": "", "offers": { "price": "", "currency": "" }, "reviews": false, "promotional_image": "\/wp-content\/uploads\/2025\/08\/LISA-Immersive-Solutions.jpg", "promotional_title": "", "promotional_tagline": "Experience Sound<br \/>\r\nWithout Limits", "promotional_description": "Unlock an unparalleled spatial audio experience with L-ISA Immersive. Create captivating soundscapes that deliver a truly immersive sound experience for live sound performances and installations." }, "_links": { "self": [ { "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/products\/761335", "targetHints": { "allow": [ "GET" ] } } ], "collection": [ { "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/products" } ], "about": [ { "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/types\/products" } ], "author": [ { "embeddable": true, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/users\/56" } ], "replies": [ { "embeddable": true, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/comments?post=761335" } ], "version-history": [ { "count": 9, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/products\/761335\/revisions" } ], "predecessor-version": [ { "id": 761752, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/products\/761335\/revisions\/761752" } ], "wp:featuredmedia": [ { "embeddable": true, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/media\/761336" } ], "wp:attachment": [ { "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/media?parent=761335" } ], "wp:term": [ { "taxonomy": "plan-type", "embeddable": true, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/plan-type?post=761335" }, { "taxonomy": "product-category", "embeddable": true, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/product-category?post=761335" }, { "taxonomy": "solutions-category", "embeddable": true, "href": "https:\/\/l-acoustics.cn\/en\/wp-json\/wp\/v2\/solutions-category?post=761335" } ], "curies": [ { "name": "wp", "href": "https:\/\/api.w.org\/{rel}", "templated": true } ] } }